Essay --

People relate to graces through tactile and opthalmic experience of step to the fores around them, beneath their feet and in their hands. Textures are most nimble and close physical contact with the landscape. Ploughing, grazing, clearance create distinctive textures of surface, nearly of them deliberately created for the properties of the texture itself. Textures incorporate time they are result of a slow but constant change of the very texture of surface. ordinary practices which might have a minimum impact on the surface base in a long term combine to stage a distinctive textures. Aerial photographs and high resolution topographic info is full of textures. We tend to ignore them and focus solely on features, traces. What can we do with textures? How can they be harnessed for deciphering the biography of surfaces and the room the great unwashed interacted with the land in close physical contact?In the modern, Western, earthly concern the optic sense has primacy over the other senses. Since sixteenth century, vision has make increasingly important in how we engage with and understand our conception, with the other senses marginalised. The visual became considered the most reliable form of representation. Archaeology, and especially aerial archaeology, has come to commit almost solely on vision for both the collection of selective information and the dissemination of information.Visual sense turns us into spectators, detached and distanced from the object of study. landscape becomes a particular way of seeing and representing the world from an elevated, detached and flush objective vantage point, --- as an artistic genre and a culturally conditioned habit of visual perception, unique to European, Western societies.In this way visual technologies (photographs,... ...worth exploring. Textures offer access into the richness and immediacy of the perceivable world and allow us to enmesh with it. When we turn the eye in the harmonium o f touch, we are able to see the stuff of landscape rather than its things. It is exceedingly subjective, embodied view of the world, but one that helps us to understands materiality of the landscape. home in the landscape is about the rich intimate, ongoing togetherness of beings and things which make up textures and which, over time, bind together nature and civilisation. Textures blur the nature/culture divide and emphasise the material and temporal nature of landscape. In this way, landscape is a never finished process of weaving, entanglement, of materials and activities. And they can peradventure to help us to reflect what we really see when we interpret aerophotos and lidar imagery.